ComicsDAO - The Whole Enchilada
You ever wonder what people do with those collectible rare comic books that they paid hundreds of thousands of dollars for? Not a whole lot, apparently.
“Because of the way the grading works, unsealing the comic almost by definition damages it. So you have these people who spend hundreds, thousands, or even millions on comics that they never look at. It’s like buying a Picasso and leaving it in a dark locked closet forever,” Adam (discord: Defaulteduser#2001), founder of ComicsDAO, explained recently on a call.
If that sounds underwhelming, well, that’s because it is. The real tragedy is that there are scores of comic fans around the world who would love to get a glimpse of these rare pieces of history. But now, thanks to Adam and a very cool piece of technology, that’s all going to change.
“Gentlemen, we can rebuild it. We have the technology.”
Central to the cause of ComicsDAO is a wild piece of technology that allows the unthinkable: scanning a closed comic book and getting a high-quality, readable image. It does it by “reading the air pockets at a very specific depth, and then measuring the metal content in the ink,” Adam explained. Whereas newer ink is non-metallic, the ink of olden days used metals, the content of which varied by color. By using both air pockets to calibrate depth, and what’s known about metal content in old ink, a totally closed and sealed comic book can be read page-by-page with striking clarity.
Don’t believe it? Check out this image Adam provided of an original, 1952 Donald Duck comic. The image you see below was extracted from a comic book that was closed and sealed. The scanning machine literally looked through the cover to reconstruct this image.
“We use something called T-Rays (think X-Rays, just a bit different) to read each page without opening up the book at all.” - Adam from ComicsDAO
Exciting, sure, but so what?
To the chorus of voices who say fine, this is neat but impractical because let’s face it, reprints of all these comics exist and are readily available, Adam has this to say: the newer reprints of original comics are far from exact replicas. These newer versions are in fact redrawn comics, and thus quite different from their original, oftentimes-sealed counterparts.
Adam puts it like this: “It would be like if you had a poster an artist made on your wall of the Mona Lisa. It may look a lot like the Mona Lisa, but the artist who drew it wasn’t da Vinci, it was someone else. Does that mean you’d never want to see the real thing in the Louvre?”
For an example, the image below shows both an original (left) and redraw (right) of the same page of a comic. The first has some fading from the passage of time, but beyond that a quick glance will show you that the style and feel are quite different. That’s the difference between the real thing and a reprint, Adam argues.
The original (left) and the redrawn, re-issued reprint on the right.